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0:00:01.430,0:00:09.960
[Music]

0:00:08.210,0:00:11.969
well hello everybody

0:00:09.960,0:00:13.799
greetings and welcome to another live

0:00:11.969,0:00:15.540
show this is kind of a big deal there

0:00:13.799,0:00:17.880
has just been a major announcement from

0:00:15.540,0:00:19.230
Panasonic and the embargo has just

0:00:17.880,0:00:20.939
lifted which means I can now tell you

0:00:19.230,0:00:22.920
all about it just in case you somehow

0:00:20.939,0:00:25.380
manage to no idea why you're here today

0:00:22.920,0:00:26.970
we had a couple of major significant

0:00:25.380,0:00:28.560
things coming up today just announced

0:00:26.970,0:00:30.599
that city gear Expo down in Los Angeles

0:00:28.560,0:00:35.399
Panasonic announced the development of

0:00:30.599,0:00:37.200
the s1h camera a full circle frame size

0:00:35.399,0:00:38.969
camera one of the S series cameras that

0:00:37.200,0:00:41.250
is designed for filmmakers look I've got

0:00:38.969,0:00:42.540
one here see if you tape an H on that

0:00:41.250,0:00:46.050
makes it an H right that's all it takes

0:00:42.540,0:00:47.850
and also the software update for this

0:00:46.050,0:00:49.590
camera for the s1 which is going to add

0:00:47.850,0:00:51.149
a surprising number of features to this

0:00:49.590,0:00:52.199
camera that I think I think you're what

0:00:51.149,0:00:54.750
are you gonna be very very happy to see

0:00:52.199,0:00:56.280
so with all that said I've got a little

0:00:54.750,0:00:57.719
slideshow that I put together to go

0:00:56.280,0:00:59.850
through the details so we can compare

0:00:57.719,0:01:01.680
the features and this is how we're gonna

0:00:59.850,0:01:05.070
do it I'm gonna put side by side here

0:01:01.680,0:01:06.060
the s-1 the s-1 with the v-log update

0:01:05.070,0:01:08.040
that's the new update that was just

0:01:06.060,0:01:09.210
announced and the s-1 age and we're

0:01:08.040,0:01:10.890
basically to go through this line by

0:01:09.210,0:01:12.810
line take a look at what the differences

0:01:10.890,0:01:13.979
are this is a live show by the way for

0:01:12.810,0:01:15.479
those of you watching live please do

0:01:13.979,0:01:17.909
feel free to say hello in the chat room

0:01:15.479,0:01:20.220
we are gonna do a kind of real-time chat

0:01:17.909,0:01:21.270
as we go through this one I'll stop here

0:01:20.220,0:01:22.770
and there to do it we're not gonna do a

0:01:21.270,0:01:24.330
Q&A after like we might normally do in

0:01:22.770,0:01:26.250
the live show because this one is kind

0:01:24.330,0:01:27.960
of a kind of a big deal so so let's just

0:01:26.250,0:01:30.060
get right to it shall we starting off

0:01:27.960,0:01:32.159
internal recording maximum settings as

0:01:30.060,0:01:34.140
it is today with the s1 you can do at

0:01:32.159,0:01:38.640
its highest end four to zero

0:01:34.140,0:01:41.549
8-bit 4k 60 if you happen to be shooting

0:01:38.640,0:01:43.259
in hlg then you can do 4 to 0 10 bit in

0:01:41.549,0:01:45.930
4k in hlg but most people aren't doing

0:01:43.259,0:01:48.659
that so for most people for 208 bit 4k

0:01:45.930,0:01:51.810
60 is your max with the v-log update

0:01:48.659,0:01:54.960
we're gonna be bumping up to 4 to 2 10

0:01:51.810,0:01:57.119
bit 4k 30 so you've got 42 and 10 bits

0:01:54.960,0:01:59.399
so pretty significant update on both

0:01:57.119,0:02:03.570
sides there which is which is obviously

0:01:59.399,0:02:05.280
awesome to see the s1h though oh my god

0:02:03.570,0:02:07.550
okay this is this is kind of like this

0:02:05.280,0:02:12.660
is kind of little bit on the crazy side

0:02:07.550,0:02:17.390
6k 24 P that's in a 3:2 aspect ratio 6

0:02:12.660,0:02:19.920
okay 6k 24 but wait there's more

0:02:17.390,0:02:23.640
5.9 case so you know that's like almost

0:02:19.920,0:02:28.500
6k at 30 P in a 16 by 9 aspect ratio and

0:02:23.640,0:02:30.780
then full 10 bit in 4k and cinema 4k 60p

0:02:28.500,0:02:31.620
so there's a bit of information here

0:02:30.780,0:02:33.750
kind of reading between the lines

0:02:31.620,0:02:35.550
between what is mentioned and what isn't

0:02:33.750,0:02:36.840
mentioned I'm keep in mind everything

0:02:35.550,0:02:39.180
that I'm putting up on screen here is

0:02:36.840,0:02:40.620
facts what you're seeing on display here

0:02:39.180,0:02:43.650
is fact I think coming out of my mouth

0:02:40.620,0:02:44.850
is an analysis or speculation so of two

0:02:43.650,0:02:46.770
different ways to look at things on here

0:02:44.850,0:02:48.300
but the facts what's on the screen so

0:02:46.770,0:02:51.210
let's start off with that that really

0:02:48.300,0:02:53.190
big when the 6k 24p 3:2 aspect ratio why

0:02:51.210,0:02:54.780
would you need that well here's what

0:02:53.190,0:02:57.900
that effectively is giving you something

0:02:54.780,0:03:00.600
called open gate you're getting a square

0:02:57.900,0:03:02.100
aspect ratio and if you're gonna crop

0:03:00.600,0:03:04.080
out for sixteen by nine or even wider

0:03:02.100,0:03:06.500
for a cinema aspect ratio you've got a

0:03:04.080,0:03:08.610
lot of room to reframe it

0:03:06.500,0:03:09.750
open gate is a phenomenal thing in

0:03:08.610,0:03:12.300
filmmaking to have that much space to

0:03:09.750,0:03:15.030
work with is pretty kind of awesome the

0:03:12.300,0:03:17.850
next one going to the five point nine K

0:03:15.030,0:03:20.040
thirty P is sixteen by nine to me what

0:03:17.850,0:03:22.440
this means is the ability to reframe

0:03:20.040,0:03:24.360
four standard four K output one of the

0:03:22.440,0:03:25.950
reasons I'll shoot 4k personally even if

0:03:24.360,0:03:27.630
I'm gonna be delivering an HD is so that

0:03:25.950,0:03:30.570
I can reframe let's say that I'm

0:03:27.630,0:03:32.460
shooting me right now in 4k and I want

0:03:30.570,0:03:34.290
to edit around a flub of mistake or

0:03:32.460,0:03:36.270
whatever if I just do a cut it's a bit

0:03:34.290,0:03:37.920
jarring but if I do a cut and punch in

0:03:36.270,0:03:39.270
just a little bit it's almost like a

0:03:37.920,0:03:40.860
different camera angle you can kind of

0:03:39.270,0:03:42.390
get away with a bit more and this is a

0:03:40.860,0:03:44.580
common practice to be able to do but if

0:03:42.390,0:03:46.530
you want to deliver in 4k and you shoot

0:03:44.580,0:03:48.090
in 4k you can't really do that you have

0:03:46.530,0:03:49.800
to actually scale up the shot to be able

0:03:48.090,0:03:52.410
to do that kind of effect but if you're

0:03:49.800,0:03:54.959
shooting it 5.9 K you got a lot of room

0:03:52.410,0:03:57.510
to punch in so for with the s1h you will

0:03:54.959,0:03:58.860
be able to deliver 4k but shoot bigger

0:03:57.510,0:04:01.680
than that so you have that ability to

0:03:58.860,0:04:04.530
reframe and then the last one on there

0:04:01.680,0:04:07.500
the ten bit in full for care cinema 4k

0:04:04.530,0:04:09.540
in sixty P and if you back up to the s1

0:04:07.500,0:04:12.570
with the v-log you look at that that one

0:04:09.540,0:04:14.130
is doing 42 to ten bit at 30 people now

0:04:12.570,0:04:15.690
notice that on the s-1 H it's not

0:04:14.130,0:04:16.920
listing whether it's four to zero or

0:04:15.690,0:04:19.380
four to two

0:04:16.920,0:04:21.299
so we don't know what that is you can

0:04:19.380,0:04:23.490
speculate all you want but we don't know

0:04:21.299,0:04:26.389
yet until it's announced who knows okay

0:04:23.490,0:04:27.830
next line HDMI output so the

0:04:26.389,0:04:29.780
my out of course is what you would use

0:04:27.830,0:04:31.789
if you wanted to record externally

0:04:29.780,0:04:33.710
typically by putting on an external

0:04:31.789,0:04:36.469
recorder you can get a higher bitrate

0:04:33.710,0:04:37.939
higher color depth something else you

0:04:36.469,0:04:40.430
can get some advantage of recording

0:04:37.939,0:04:42.379
externally versus internally looking at

0:04:40.430,0:04:44.509
the way it is today with the s1 there

0:04:42.379,0:04:46.879
basically isn't an advantage your get

0:04:44.509,0:04:49.610
the same for 208 let out and the for 200

0:04:46.879,0:04:52.279
10 bit with hlg out however with the

0:04:49.610,0:04:56.150
update that's coming you get for 2 to 10

0:04:52.279,0:04:57.830
bit 4k 60 out so that is closer to what

0:04:56.150,0:04:59.870
you're getting on the s-1 h internally

0:04:57.830,0:05:02.449
you'll be able to get with the s1 plus

0:04:59.870,0:05:04.699
the v-log kit on the external output and

0:05:02.449,0:05:07.340
then on the s-1 h nothing specific to

0:05:04.699,0:05:08.810
HDMI out was announced so we can

0:05:07.340,0:05:11.810
obviously speculate that it's going to

0:05:08.810,0:05:13.279
be at minimum what's in the s-1 plus the

0:05:11.810,0:05:14.870
V log update and maybe there will be

0:05:13.279,0:05:18.400
more but there was no announcement about

0:05:14.870,0:05:21.500
what would be specific to the HDMI out

0:05:18.400,0:05:23.210
dynamic range now for the s-1 dynamic

0:05:21.500,0:05:25.009
range was never actually published by

0:05:23.210,0:05:27.800
Panasonic they never said what the

0:05:25.009,0:05:30.080
dynamic range was and EXO mark did their

0:05:27.800,0:05:32.270
tests on it and they said it was 14 plus

0:05:30.080,0:05:34.339
stops of dynamic range so considering

0:05:32.270,0:05:35.479
that we now are getting told that are

0:05:34.339,0:05:37.729
being told that we're going to see 14

0:05:35.479,0:05:39.919
plus stops on both the s1 with a V log

0:05:37.729,0:05:42.560
and the s-1 h I think it's pretty safe

0:05:39.919,0:05:45.589
to say that that's always been there the

0:05:42.560,0:05:47.229
difference is that when DSO does their

0:05:45.589,0:05:49.490
test they're doing them for photography

0:05:47.229,0:05:51.259
videos a bit different and the only way

0:05:49.490,0:05:53.870
that we can get these 14 plus stops is

0:05:51.259,0:05:55.460
with the V log itself and so we'll come

0:05:53.870,0:05:57.430
to that a little bit later but the

0:05:55.460,0:05:59.599
dynamic range of the camera itself

0:05:57.430,0:06:00.529
unlikely to have actually changed it's

0:05:59.599,0:06:02.779
just that now we're going to have the

0:06:00.529,0:06:04.279
ability to capture a video with those 14

0:06:02.779,0:06:05.089
plus stops of dynamic range and what

0:06:04.279,0:06:07.310
we're going to talk about more about

0:06:05.089,0:06:10.490
that in in a moment here recording

0:06:07.310,0:06:14.089
limits on the s1 you've got a 29:59

0:06:10.490,0:06:16.789
limit in 4k 60 unlimited in all other

0:06:14.089,0:06:18.169
modes with the V log update there's no

0:06:16.789,0:06:20.509
announced changes so that probably is

0:06:18.169,0:06:23.750
not changing but with the s-1 age it's

0:06:20.509,0:06:27.139
unlimited in all modes everything so

0:06:23.750,0:06:31.300
even that 6k 24 P is going to be an

0:06:27.139,0:06:34.819
unlimited copy cut recording time Wow

0:06:31.300,0:06:37.370
next page now we're talking about

0:06:34.819,0:06:39.229
anamorphic recording okay s1 animal for

0:06:37.370,0:06:40.040
anamorphic no it's not an option you

0:06:39.229,0:06:42.530
can't do it

0:06:40.040,0:06:44.810
s1 plus V log nothing announced so I'm

0:06:42.530,0:06:45.650
going to assume probably not I would

0:06:44.810,0:06:47.600
have thought that I think there'd be

0:06:45.650,0:06:49.010
something they would say but they didn't

0:06:47.600,0:06:51.620
say either way so you know maybe that'll

0:06:49.010,0:06:53.630
change of course on the s1h though there

0:06:51.620,0:06:55.340
is anamorphic okay so now let's now

0:06:53.630,0:07:00.380
let's do a little bit of a little bit of

0:06:55.340,0:07:03.200
math you can shoot anamorphic on the s1h

0:07:00.380,0:07:05.030
anamorphic lenses come as wide as two to

0:07:03.200,0:07:06.710
one that is a two to one stretch which

0:07:05.030,0:07:09.160
means that whatever you shoot anamorphic

0:07:06.710,0:07:13.130
stretches out to double the width to get

0:07:09.160,0:07:14.890
the proper proper aspect ratio the

0:07:13.130,0:07:19.940
camera can shoot at a 3:2 aspect ratio

0:07:14.890,0:07:21.500
at 6k if you double 6k that's 12 K you

0:07:19.940,0:07:22.910
are effectively and I realize it's not

0:07:21.500,0:07:27.610
the pixels but the file size would

0:07:22.910,0:07:30.680
effectively be a 12 K anamorphic file

0:07:27.610,0:07:33.440
Wow so that's kind of cool kind of like

0:07:30.680,0:07:34.460
that v-log not available in the s1 until

0:07:33.440,0:07:35.600
you have the view log update and of

0:07:34.460,0:07:37.550
course that does give you a view the log

0:07:35.600,0:07:39.080
and there's V log in V gamut and there

0:07:37.550,0:07:41.660
is the same thing on the s-1

0:07:39.080,0:07:43.430
H as the s-1 plus the fee log so what

0:07:41.660,0:07:44.540
does that actually mean so I talked to

0:07:43.430,0:07:45.890
my friends parents learning to make sure

0:07:44.540,0:07:49.010
I fully understood what we're what I'm

0:07:45.890,0:07:50.720
talking about here v gamut is kind of

0:07:49.010,0:07:52.970
basically your color space we

0:07:50.720,0:07:55.910
traditionally shoot in rec 709 if you're

0:07:52.970,0:07:58.490
gonna do HDR type shooting or hlg

0:07:55.910,0:08:02.210
shooting you're shooting in rec 2020 the

0:07:58.490,0:08:03.920
V gamut is a level beyond that so the V

0:08:02.210,0:08:07.040
gamma is what gives us enough color

0:08:03.920,0:08:09.830
space to capture 14 plus bits of 14 plus

0:08:07.040,0:08:12.050
stops of dynamic range that's where the

0:08:09.830,0:08:14.450
V log comes in in this case V log is

0:08:12.050,0:08:16.190
capable of capturing 14 stops of 14 plus

0:08:14.450,0:08:18.170
stops of dynamic range that is the same

0:08:16.190,0:08:18.650
V login same V gamut do you have on the

0:08:18.170,0:08:20.120
VariCam

0:08:18.650,0:08:22.820
that you have on all the other high-end

0:08:20.120,0:08:25.580
Panasonic movie cameras cinema cameras

0:08:22.820,0:08:29.330
that is now down in this little guy well

0:08:25.580,0:08:31.250
once you put the H on it something else

0:08:29.330,0:08:34.250
to point out notice that it's V long not

0:08:31.250,0:08:36.050
V log L if you're a gh fiver GHI vest

0:08:34.250,0:08:38.660
shooter you know that you have V log on

0:08:36.050,0:08:41.060
your camera but it is V log L if you

0:08:38.660,0:08:43.400
like L is effectively V log light it is

0:08:41.060,0:08:45.430
12 stops of dynamic range here we now

0:08:43.400,0:08:49.730
have 14 plus stops of dynamic range

0:08:45.430,0:08:51.260
pretty awesome in a camera LUT display

0:08:49.730,0:08:52.640
not applicable to the s1 the light is

0:08:51.260,0:08:53.779
there lookup table for your shooting log

0:08:52.640,0:08:55.310
of course it is going to be

0:08:53.779,0:08:56.509
they're on the s1 with you log they

0:08:55.310,0:08:58.129
didn't say it was gonna be there on the

0:08:56.509,0:08:59.990
s-1 H but I mean it's pretty obvious

0:08:58.129,0:09:01.879
that's gonna be their waveform monitors

0:08:59.990,0:09:03.860
same thing doesn't exist on the s1 today

0:09:01.879,0:09:05.629
it will be added with the V log update

0:09:03.860,0:09:06.829
and again they didn't say anything about

0:09:05.629,0:09:09.290
it but it's pretty safe to presume that

0:09:06.829,0:09:11.509
that won't be there on the s-1 H audio

0:09:09.290,0:09:12.529
recording with the XLR one this is

0:09:11.509,0:09:14.120
interesting I actually didn't realize

0:09:12.529,0:09:15.529
that this limitation was in place I

0:09:14.120,0:09:18.949
never looked at it that closely but

0:09:15.529,0:09:21.170
today with your s1 u are maxed out at 48

0:09:18.949,0:09:24.079
kilohertz in 24-bit and even that is

0:09:21.170,0:09:27.110
only at 4k 60p that's the only format

0:09:24.079,0:09:29.389
that shoots LP CL PCM audio the other

0:09:27.110,0:09:32.180
formats are AAC audio which i think is

0:09:29.389,0:09:34.910
48 16-bit I think it could be wrong

0:09:32.180,0:09:37.220
there but regardless today with your s1

0:09:34.910,0:09:40.879
even with the XLR one on top of it your

0:09:37.220,0:09:44.209
max audio is 48 24 now with the v-log

0:09:40.879,0:09:46.279
update you're getting full 48 24 + 96 24

0:09:44.209,0:09:48.680
which is honestly that's what you would

0:09:46.279,0:09:51.050
expect that is what you have in the gh 5

0:09:48.680,0:09:53.899
and the gh 5s today when you put the XLR

0:09:51.050,0:09:55.819
1 on there those are the audio a deficit

0:09:53.899,0:09:58.730
you get so so we're basically getting

0:09:55.819,0:10:01.579
what we had on the gh 5 at this point

0:09:58.730,0:10:03.139
now on the s1 and then again for the s-1

0:10:01.579,0:10:04.730
H they didn't say anything but it was

0:10:03.139,0:10:07.160
pretty safe to assume that it's going to

0:10:04.730,0:10:08.720
be the same alright availability well

0:10:07.160,0:10:10.759
ds1 of course is available now it's been

0:10:08.720,0:10:12.620
shipping for several months the s-1 with

0:10:10.759,0:10:15.589
the v-log update will be available in

0:10:12.620,0:10:17.600
july of 2019 so not that far away at all

0:10:15.589,0:10:20.779
and the s-1 H is going to be available

0:10:17.600,0:10:22.819
in fall of 2019 so not too far away not

0:10:20.779,0:10:24.170
too long to wait now one of the big

0:10:22.819,0:10:27.559
questions everybody's gonna want to know

0:10:24.170,0:10:29.779
is how much is it gonna cost well the

0:10:27.559,0:10:31.790
s-1 H they just announced that Panasonic

0:10:29.779,0:10:33.379
at the event that the target price and

0:10:31.790,0:10:36.160
it's how they phrased it the target

0:10:33.379,0:10:39.199
price is four thousand dollars so

0:10:36.160,0:10:41.629
considerably I update from the s1 and

0:10:39.199,0:10:43.100
the s-1 are but when you compare its

0:10:41.629,0:10:44.600
feature set to what else is out there in

0:10:43.100,0:10:46.429
the market for that level of cinema

0:10:44.600,0:10:48.589
camera I think it's kind of a bargain

0:10:46.429,0:10:50.899
and when you also consider that most

0:10:48.589,0:10:53.240
people don't really need those highest

0:10:50.899,0:10:55.249
end features the s-1 with the filmmaker

0:10:53.240,0:10:58.009
upgrade is going to work out perfectly

0:10:55.249,0:11:00.800
well for just about everybody for most

0:10:58.009,0:11:03.230
normal users let's say so what about the

0:11:00.800,0:11:05.870
s-1 update what is that gonna cost it's

0:11:03.230,0:11:08.070
gonna cost $1.99 but here's the cool

0:11:05.870,0:11:11.370
thing it's not gonna cost one

0:11:08.070,0:11:13.740
right away it is until June 22nd going

0:11:11.370,0:11:15.690
to come free with the purchase of

0:11:13.740,0:11:16.800
Illumina kes 1 and in fact there's a

0:11:15.690,0:11:18.870
little bit more to it night not only

0:11:16.800,0:11:20.520
getting that upgrade for free there's

0:11:18.870,0:11:22.200
this whole trade in trade up program

0:11:20.520,0:11:24.870
that's going on so this is May 31st

0:11:22.200,0:11:28.430
which is today through June 22nd and I

0:11:24.870,0:11:30.420
need to point out this is us pricing

0:11:28.430,0:11:32.370
around the world there's different

0:11:30.420,0:11:34.620
things put together I only have access

0:11:32.370,0:11:36.000
to what's going on in the US so for any

0:11:34.620,0:11:37.170
more details on this especially if

0:11:36.000,0:11:38.520
you're not in the US you need to talk to

0:11:37.170,0:11:41.430
your dealer and see what's available to

0:11:38.520,0:11:44.100
you but you buy a new s1 you're gonna

0:11:41.430,0:11:46.620
get the $200 upgrade for free there is

0:11:44.100,0:11:48.480
this trade in trade up program that's

0:11:46.620,0:11:51.060
going on right now where you bring in a

0:11:48.480,0:11:52.260
specific type of camera and there's a

0:11:51.060,0:11:53.730
kind of limitation what type of cameras

0:11:52.260,0:11:56.339
are but you bring in a specific type of

0:11:53.730,0:11:57.540
camera to trade in they give you a value

0:11:56.339,0:12:00.300
of that to give you that value towards

0:11:57.540,0:12:01.500
your purchase and an additional $400 so

0:12:00.300,0:12:02.820
if you're bringing in a good camera you

0:12:01.500,0:12:05.940
can walk out with one of these for you

0:12:02.820,0:12:08.700
know probably close to nothing so that's

0:12:05.940,0:12:10.500
kind of awesome and then if you already

0:12:08.700,0:12:11.370
own the s-1 you're like hold on a second

0:12:10.500,0:12:13.980
but I already bought it

0:12:11.370,0:12:15.600
talk to your dealer that's all I got to

0:12:13.980,0:12:16.200
say just talk to your dealer tell him

0:12:15.600,0:12:17.970
you already bought it

0:12:16.200,0:12:21.209
show him your receipt you want the the

0:12:17.970,0:12:24.300
filmmakers upgrade and they'll take care

0:12:21.209,0:12:26.370
of you so that is only only only only

0:12:24.300,0:12:27.600
until June 22nd so make sure make sure

0:12:26.370,0:12:30.150
make sure you get taken to get that

0:12:27.600,0:12:31.680
taken care of by that and again this is

0:12:30.150,0:12:34.440
all USA details you got to check with

0:12:31.680,0:12:38.610
your detail your dealer for your local

0:12:34.440,0:12:40.560
deals alrighty so that my friends is

0:12:38.610,0:12:41.790
that that is all the new stuff that we

0:12:40.560,0:12:43.020
got I know there are gonna be a ton of

0:12:41.790,0:12:45.380
questions that I'm probably not gonna be

0:12:43.020,0:12:45.380
able answer