This is real. We've found a way to replace the 1080p ISO clips from ATEM Mini/Extreme Pro ISO's DaVinci Resolve project files with the camera original clips – from ANY camera. Don't use Blackmagic cameras? No problem. This is no longer a limitation. You can now re-edit your live shows at the highest quality and resolution that your cameras can record.
Are you tired of feeling disconnected during Zoom calls? I've upgraded my setup with a teleprompter, revolutionizing my virtual meetings.
A Comprehensive Comparison: The user-favorite Peak Design Travel Tripod vs. the all new Freewell Real Travel Tripod! Is the king going to lose its crown?
Panasonic's latest addition to the L-Mount series is the compact and versatile 100mm f/2.8 macro lens… and it's so, so much more than just a “macro”!
This is the first collection of my ATEM Mini Tips, all in one place — enjoy!
I'm still here, I promise… I've just been a bit busy…
About a year ago, I embarked on a mission to create the perfect editing system—one that transcends the limitations of platforms and geographic locations. Today, I believe I've come pretty close to achieving that goal with what I call my Global Collaborative Workflow. This editing system enables seamless collaboration with editors worldwide, regardless of their location or the devices they use.
The Panasonic LUMIX G9II is here! And as you were hoping… it includes Hybrid Phase Detect Autofocus!
At NAB I shot a news stories from the show floor on a vertical LUMIX S5II camera in 6K open gate mode while utilizing ATOMOS Camera to Cloud (C2C)
The Panasonic LUMIX S5IIx is here — and boy, is it a hell of a camera!! I paired it with the SIRUI 35mm T2.9 1.6x anamorphic lens for this tour…
Break free of your cameraphone for vertical streaming to Instagram & TikTok! With the YoloLiv Instream, you can go live to either platform with any camera!
From the #NAB2023 show floor, sponsored and powered by @AtomosChannel Cloud, along with support from @Frameioapp and Sclera Digital, @aaronpk and I toured the floor making news shorts shot on a LUMIX S5II in 6K and pushed to the cloud for remote editing! Learn about the rig we used here https://youtu.be/kTmhZ2Tdy9w and be sure to subscribe for the final video where I recap what worked, what challenges we faced, and what we'll do differently next time!
I was on the show floor of NAB 2023 shooting short stories… in 6K! Why oh why would we do that? Just watch to find out!
Have you ever played with a Tilt lens? At just $200, now’s your opportunity! It’s fun, it’s creative, and surprisingly useful.