You are here

This ATEM (mini) Tips” series of short video tutorials for your Blackmagic ATEM hardware includes tips for all users, from beginner to advanced. Scroll down to see more in the series!

This is a collection of all PhotoJoseph LIVE shows, from the PhotoJoseph YouTube channel. Additional episodes are listed below!

ATEM Mini Master Class V3 — Five Hours (in 4K)!! LIVE Webinar

Photo Moment - March 18, 2022

This is a massive, five hour long LIVE webinar (this time, in 4K!) on Blackmagic ATEM hardware, including Introduction to ATEM, setup, switching basics, transitions, upstream and downstream keys, Supersource, media player, audio control, recording and streaming, macros, ISO Recording & bRAW to Resolve, HyperDeck for Recording & Playback, the VideoHub 40x40, ATEM Streaming Bridge, Web Presenter, and a tour of how I ran this webinar, including bitfocus Companion, El Gato Stream Deck, mimoLive the UltraStudio 4K Mini and more!

Products Mentioned

🎧 Music in this Video

The music is from MusicBed! Get your first month free when you purchase an annual subscription by using my coupon code PHOTOJOSEPH at checkout! https://geni.us/MusicBed

🔗 More links you seek

🔴 Don't miss the LIVE shows!

 

Share
Leave a comment on YouTube

Comments from YouTube

Hey! 👉🏼 Join the channel, gain access to a private Discord server, and support zero-ad-interruptions! http://youtube.com/photojoseph/join
Thanks for the great tutorial.. Question: did you ever figured out why the export XML option was not showing? I'm using Resolve 18 and want to export to FCPX but can't seem to find the XML option either except if I use the timeline export feature and then I see the options.. Thanks again..
I was looking for a different menu that didn't exist. You just go File > Export > Timeline and choose the fcpxml format on the export dialog.
You covered up the GUi when showing how to set the colour and then your audio goes out of sync with the split screen of you and Gary. How do avoid audio sync errors? Most importantly you tittled this ATEM Mini but you just cover the extreme.. thumbs down.
Did I? Sorry. The audio sync issue was user error. I figured out my problem though the next day (second half of this video). I actually hand a sync offset programmed into another piece of software that I didnt realize was there!
Neither here nor there. However when writing a Macro you mentioned that if you want the macro to switch to camera 2 but cam 2 is already in “program” you would need to switch to a different camera then back to cam 2.
I thought you could simply click on cam 2 even if it’s already in program and the macro would record it?
In last years video, I thinkit was anyway, you mentioned recording in BRAW when using the BM pocket series cameras, and replacing the 1080 footage with it when editing the pogram. Couldn't the same thing be done with the Lumix S5, recording to the video assist for BRAW an loop through HDMI out to the ATEM, therefore accomplishing the same thing as with the 4k pocket camera?
not really. Not even would you not get the automated matching to the source files, you couldn’t match them even manually because they will be different durations and have different timecode. Also you’d have to manually start and stop recording in the cameras. The best you would have is recording the braw or whatever format masters and re-cutting from scratch.
@PhotoJoseph copy thanks!
While the XML streaming file shows settings for 720p the ATEM doesn't appear to actually support that. Can BMD confirm why the XML file shows a 720p capability but doesn't actually do 720p? Or if it does support 720p, what might be happening that it doesn't work even if I've made the service for it. This is important as this impacts the ability to stream to Amazon Live. Oh and turns out Restream requires a fee for transcribing from 1080 to 720, so that seems a non starter as a potential solution. Thank you, Mark
Hello Joseph. Thank you for perfect video. I have question and i will be greatful for your reply. Is there way switch upstream keyed (but also dsk) camera to preview mode as first before program mode?
Could to use a USB c hub on the ATEM mini pro and connect the hub to the ATEM USC c port and the USB data port on the hub to a pc for streaming with OBS/vmix?
no. Different protocols and the USB port switches protocols depending on what you plug in.
Hi and great thanks for these videous👍💪. My question is how to set atem mini pro that it not show multiview when Inturn it on. I know how to switch it in software in pc, but is there feature when I turn Atem mini pro on it show large view without small views. This is complicate when I turn atem on without pc it shows all small squares not just one view. I’m pretty sure you showed this in some video but I don’t find it. Plese help me! And again thanks this nice forum you do1
Save startup state
Awesome work, as always Joseph!
Thank you sir
Can you test the Insta360 ONE RS if works to live streaming?
I don’t think those cameras have hdmi out do they? To stream that you need something that streams the full size image and then a viewer that lets you pan it. I believe those cameras have their own streaming setup? But there’s little to no chance you can stream one — at least not in 360 — with an ATEM.
@PhotoJoseph thank you for the info... I didnt realize that
1:59:00 thanks for that full demo of non-Pre-multiplied vs. multiplied. Seeing it in action before/after is Sooo helpful. Oh and congrats on the 40x40 video router too: 03:43:50 ! I understand the need to stay focused on the rack re-layout/re-route and rationalization. Very time consuming no doubt.
You’re welcome! I dive into it in a cleaner more nuanced way in these non-live videos: https://youtu.be/luLn88crgdA and https://youtu.be/N2vLs9i0bA0
I need to grab some popcorn and a notepad! 🍿📝 I'm trying to learn this. 👍
Lotsa popcorn, lotsa notes!
1:02:00 Great point on the ATEM Photoshop plug-in, that round-trip between ATEM media pool and Photoshop is really valuable, especially if you're just starting out. It takes you out Photoshop, round-trip, brings you back to the ATEM and your graphic is in the Media Pool ready to use.
I love that feature!
36:10 I know it's early in the program, but thanks for differentiating when/how you would want to use Preview for switching a show. Self-host, vs. team produced is very important to track when you're coming up with a procedure and workflow using a switcher.
Awesome, glad that was helpful!
Cool stuff. A quick note re: around 14:30 and 44:30 on setting IP addresses… alas the original ATEM Mini doesn't have DHCP and needs to have its IP address set manually :(
Ah yes, that is true. That came out so long ago I’d forgotten!
Hi Joseph, Great show...... I need to learn about talkback solutions... I have an extreme and TV Studio HD
That’s such a niche feature I don’t think I’ll cover it. I don’t have the hardware either. Closest thing I can offer is this video: https://youtu.be/LhIk6drC5Gk
very cool - thanks for sharing
let's try this again.

i have the Mini Pro ISO. i'm using all 4 inputs with 4 different cameras. i'm using macros to change cameras every 4 seconds using a one second mix transition. all good! now, i want to add a green screen that will be in the background of each camera. i can switch cameras as the keys with macros but there's no way to transition between key cameras.

after seeing you use the Extreme with 4 keys, i realized maybe you need that to be able to have a mix transition between each camera.

it seems to me that EVERYONE who uses a 4 camera switcher would want it to be able to utilize green screen with all four cameras while using a transition. some i know use green screen exclusively. this is kind of a deal breaker.

someone figured it out for Windows but not for Mac. watch this video i'm posting here to see what i'm talking about. it's not spam or click bait. i'm really struggling to figure this out. thanks to anyone who might have a solution. why isn't this addressed more often?

https://www.youtube.com/watch?v=t3sVpQkohww&t=1s
TLDR: Sorry, it's been a while since I upgraded to the Extreme ISO, so I didn't recall that there's only one upstream in the Mini Pro. I'd recommend the upgrade, if you can afford it.

Hi there, I think I might have a solution to your problem - in case you didn't solve it by now:
Instead of switching the cameras you use for one upstream, you could use another upstream with the camera you want to transition to, then select the yellow buttons for next transition under the ON AIR buttons. If you do a mix transition with your set duration, e.g. 1.00, it should work the way you want. I don't see any reason why this should not be executable by macro.
I hope this helps :)
@Häagen Dub could you help me via private message on facebook or something else?
Really appreciate your way of explaining things. Exactly the way I need to hear it. Thanks.
Were the supersource examples cut out when you went to the 5 minute break? You said you would do examples but it went straight to the media player portion.
Hmm… the only thing I intentionally cut was the break itself and fixed a few title card flubs I will go back and look at the source. Do you have a time stamp where I said that?
The amount of information is huge, I appreciate it. -- but I would suggest a different perspective on the instructional video. I would first go through the necessary things in terms of basic usage, after which I can deal with more in-depth issues.

Now we went straight to the deep end, and it happens that at 10 minutes we are already talking about things that most users never need.
I appreciate the feedback, however I spent literally the first three hours digging into every basic function. I didnt move beyond the capabilities of the base hardware until like hour four. To say people don’t “need” transitions, up and downstream keys, audio control and so-on is to say that they don’t need an ATEM. And this isn’t a sales pitch for ATEM. It’s a training video for how to use the hardware.
@PhotoJoseph My mistake, I propably need everything.
keep on keeping it on
Newbie ;-) Hi Josef, thank you so uch for the video and your time. And naturally I have a streaming question. With my Atem Mini Pro Iso I can set 3 qualities for the stream. Unfortunately, the slowest is still too fast for my internet connection. With OBS I tested that I can stream at max 1500 Kbps. If I set a higher value, the stream doesn't work, the picture freezes. Can I permanently set the lowest streaming quality "somewhere somehow" with the Atem Mini Pro Iso? That would be great.
Actually you can. I’m pretty sure I included that in this video https://youtu.be/Qc7od4tIQSI (even though that’s not the primary topic). Check it out and if it’s not in there let me know.
@PhotoJoseph Thank you, i will check . 😀
I just had the time for the agenda now. But for sure I'm going to STUDY all the details of this Master Class

You're SUPER AWESOME, EXTREMELY PROFESSIONAL and one of THE BEST in the industry (my humble opinion)

Thank you SO MUCH for taking the time of putting all this information in one place!

Have a Productive and Healthy Day!
God Bless you!

ps: LOVE that you're going to talk about the 40x40! :)
aw thank you, I very much appreciate that! I hope you enjoy it, once you dive in!
@PhotoJoseph I'm SURE I will!
​@PhotoJoseph Do you have a link to buy the special tool you talked about in the minute 3:38:28 for the video hub?
@Freddy Ponce Sure thing: https://amzn.to/37JXTNt
What is ATEM?
An overview of what it is starts at 06:11 — check the chapter markers
It is reverse social network to META 😂😂😂
Instantly added to my 'watch later' list....better get some popcorn! :)
haha that's gonna take a log of 🍿 Hope you enjoy!
After sitting through the first two 5-hour master classes, you’ll need more than just popcorn to get through! Lol
Wow! This is to production professionals and ATEM students what Mr. Beast's Squid Game video was: EPIC, HUGE, and AWESOME! Great job Joseph! 👍
Wow, thanks! Now if I could just get his views… hehehe
Thanks @joseph photo alll this valuable information for free 😍😍😍
My pleasure 😊
You may login with either your assigned username or your e-mail address.
Passwords are case-sensitive - Forgot your password?