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0:00:00.000,0:00:02.540
[Music]

0:00:14.510,0:00:19.500
the Lumix s1h launch event in Hollywood

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was the first opportunity to get my

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hands on the new camera along with a

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bunch of other media be sure to play

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spot the youtuber throughout this video

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we started in the Dolby screening room

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at the Hollywood vine theater housing

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the single best theatre projection in

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Hollywood which as one guest pointed out

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really tells you just how much

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confidence Panasonic has on the s18

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splitter

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we watched the launch and a technical

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presentation on the s1h which was live

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streamed by the way link below then went

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to the Goya Studios soundstage to get

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hands-on time with the cameras

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Panasonic had built a series of sets to

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shoot with fully kitted out s1h cameras

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with atlas orion anamorphic lenses and

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adam most reporters which by the way

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will record raw video from the s1h in

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the near future

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the rigs were pretty impressive and

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since I know a lot of us are interested

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in the new tilting free angle monitor

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here's how that works

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[Music]

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we watched a series of short films shot

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on the s1h and had a Q&A session with

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each of the filmmakers these shorts are

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all available on YouTube now you're

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watching a piece of the sizzle reel here

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but in the description below i've linked

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to a playlist of all these shorts

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they're all worth watching

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[Music]

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as you can see we have some sets here

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and we're ready to hand out cameras the

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first thing I did with the camera was go

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through the menus some highlights audio

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gain has a new low setting and levels

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now go down to minus 18 and quite

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possibly my favorite new feature there's

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finally a red frame one recording option

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so you know when you've hit record

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there's also tell you lights on the back

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in front of the camera pretty cool I ran

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through the recording options and

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captured all seven pages of settings

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because I know some of you will be

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really interested in this just pause on

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any screen you want to get a closer look

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at or scrub forward about 30 more

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seconds to skip all of these

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[Music]

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[Music]

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[Music]

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the first shots are recorded we're using

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the cameras that Panasonic had set up

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with 2x anamorphic lenses shooting in

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v-log these were shot 48 P so I've

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slowed them down to play frame for frame

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on this 30 P timeline in addition to be

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afar the cameras can now record natively

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in 1080p at 120 frames per second in 10

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bit which means you get audio and

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autofocus for slow-motion now watch this

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notice how I blew the highlights in this

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shot but since it's 10 bit that can be

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recovered

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this is shot in six K first plane back

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scaled down to 65% to fill the 4 K frame

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then again at 100% punching into the

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shot but still viewing one-to-one pixels

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this is what I'm most excited about the

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ability to reframe and still deliver 4k

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without scaling up that covers

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everything that I had video for but of

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course there's a lot more bullet points

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that I want to go through so let's just

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start with some of the specs as you

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probably know it is a twenty four point

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two megapixel full-frame sensor but what

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you may not have realized is that this

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sensor actually has a low-pass filter on

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it now why is the low-pass filter back

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the gx8 was the first lumix camera to

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remove the low-pass filter and the gh 5

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g h5 s g9 s 1 and s 1r are all lacking

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the low-pass filter as well by taking

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that off you increase sharpness the

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image becomes a little bit sharper by

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putting it back on the image does get a

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little bit softer but what you gain is

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the elimination of Moray which can

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obviously be a problem in video it also

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has the side benefit of actually making

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the image look a little bit more filmic

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as you can imagine film is not perfectly

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perfectly sharp so having the low-pass

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filter back on there just adds to the s1

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h's film look the full sensor full area

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of the sensor of course requires a 6k

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and 24 P and the great benefit of that

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is something called open gate back in

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the days of film you shot full-frame 35

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millimeter film and then had a lot of

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room to reframe or crop in post and you

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have that again when you're shooting

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open gate and full 3:2 aspect ratio if

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you don't need full 3:2 if you want to

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go to 16 by 9 you get to shoot at 5.9 K

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so just barely a little bit less and you

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can do that all the way up to 30 P if

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you want to shoot in cinema 4k you can

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go up to 60 P in 10 bit the camera also

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features dual native ISO and that's 100

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and 640

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when you're shooting in a non log mode

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and it's 640 and 4,000 native in log the

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camera also features dual SD card slots

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so we're back to what we had on the GH 5

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and the g9 not the SD and the q XD slot

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2x execute x QD it doesn't have x QD

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like the s 1 and s 1 are due it just

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doesn't need that much bandwidth to

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deliver the video that the s1

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does the camera has 14 plus stops of a

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dynamic range including V log and V

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gamut and the V gamma gives you access

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to the Vera Camelot library of 35

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different looks that are very popular

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among the Vera Cam world the camera also

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supports and I'm probably going to

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explain this somewhat incorrectly but it

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supports IDT or input device transform

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which as I understand it allows you to

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make the look of the camera conform to

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the aces as the academy color system

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which means that it can perfectly match

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cameras from any other manufacturer

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basically any cinema camera can be made

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to match using this format or this

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system again I'm explaining it

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incorrectly I'm sure but but the point

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is you can make this color match any

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other cinema camera the camera offers

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support for a variety of anamorphic Dee

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squeezes and matches the four perf size

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to make the most of classic anamorphic

0:06:40.490,0:06:44.600
lenses it of course has five axis and

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body stabilization which I think came as

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a surprise to a lot of people we

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expected to see possibly the removal of

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embody stabilization like we lost in the

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gh 5s when going with the dual native

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ISO but here in the s1h we have the best

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of both and that is giving us

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six-and-a-half stops of image

0:07:00.260,0:07:04.280
stabilization now Panasonic said that is

0:07:02.330,0:07:06.169
near gimbal like stability for handheld

0:07:04.280,0:07:07.310
work I don't know if I'd go that far

0:07:06.169,0:07:09.080
you're not gonna walk down the street

0:07:07.310,0:07:10.700
and expect to get gimbal smoothness but

0:07:09.080,0:07:12.280
if you're standing and holding it you're

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gonna get some pretty solid shots

0:07:12.280,0:07:16.700
you also get unlimited recording time

0:07:14.780,0:07:19.699
like you get with the gh 5 in gh 5s

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there are hospital SD card slots so as

0:07:19.699,0:07:23.510
one fills up and it switches over to the

0:07:21.470,0:07:25.550
other you can simply swap out the full

0:07:23.510,0:07:27.620
card but you also get simultaneous

0:07:25.550,0:07:29.750
recording an internal and out over the

0:07:27.620,0:07:31.400
HDMI which offers some interesting

0:07:29.750,0:07:33.740
workflow possibilities where you could

0:07:31.400,0:07:35.810
record one format internally and another

0:07:33.740,0:07:38.150
externally for a proxy workflow for

0:07:35.810,0:07:40.610
example now because of that HDMI out and

0:07:38.150,0:07:42.260
cooperation with atomos we do know that

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we are going to be getting raw recording

0:07:42.260,0:07:46.760
over HDMI out in the near future the

0:07:45.080,0:07:48.650
cameras freeze resistant down to minus

0:07:46.760,0:07:50.539
10 degrees Celsius and dust and splash

0:07:48.650,0:07:52.160
proof even with the vent and I think

0:07:50.539,0:07:54.410
this is an interesting thing to think

0:07:52.160,0:07:56.660
about there is an air vent on this

0:07:54.410,0:07:58.610
camera it is actually air cooled and you

0:07:56.660,0:08:00.320
might think we'll hold on how can air go

0:07:58.610,0:08:02.270
through the camera but not water and

0:08:00.320,0:08:02.810
dust well you have to remember and this

0:08:02.270,0:08:04.820
is a

0:08:02.810,0:08:07.040
that Matt told at the presentation that

0:08:04.820,0:08:09.440
Panasonic is used to building air-cooled

0:08:07.040,0:08:11.660
water resistant hardware they've been

0:08:09.440,0:08:14.210
building Panasonic Toughbook switch our

0:08:11.660,0:08:16.580
notebooks that are military-grade for a

0:08:14.210,0:08:19.460
very long time and those machines are

0:08:16.580,0:08:21.830
really strong and really tough and water

0:08:19.460,0:08:23.360
resistant Matt actually told a story of

0:08:21.830,0:08:24.800
spilling I think apple juice onto the

0:08:23.360,0:08:26.210
keyboard of a Toughbook and cleaning it

0:08:24.800,0:08:29.270
out by holding it under the kitchen

0:08:26.210,0:08:31.250
faucet the way that it works is the air

0:08:29.270,0:08:33.500
vent actually doesn't pass air through

0:08:31.250,0:08:35.930
the camera itself it's passing it over

0:08:33.500,0:08:38.930
basically a heat sink so the camera

0:08:35.930,0:08:40.580
itself is weather sealed the entire LCD

0:08:38.930,0:08:42.380
display enclosure is weather sealed and

0:08:40.580,0:08:44.390
then the air is passed between those two

0:08:42.380,0:08:46.490
enclosures last little note you get

0:08:44.390,0:08:48.620
timecode in and out via the PC port

0:08:46.490,0:08:50.330
which means you can not only sync it up

0:08:48.620,0:08:53.060
with other cameras but you can Jam sync

0:08:50.330,0:08:55.520
the s1h as well and the price as you

0:08:53.060,0:08:57.230
probably have heard 39.99 available for

0:08:55.520,0:08:59.030
pre-order now use the link below please

0:08:57.230,0:09:01.490
and it'll be shipping at the end of

0:08:59.030,0:09:02.810
September so that's it that is the s1h

0:09:01.490,0:09:05.120
what do you guys think it's a heck of a

0:09:02.810,0:09:08.060
camera it's big it's awesome

0:09:05.120,0:09:09.890
it does 6 K it's full frame it's kind of

0:09:08.060,0:09:10.880
everything that you want in a camera I'd

0:09:09.890,0:09:12.589
love to hear your thoughts about it tell

0:09:10.880,0:09:13.700
me what you think below and of course if

0:09:12.589,0:09:14.660
you haven't subscribe to the channel yet

0:09:13.700,0:09:17.180
make sure you do that we'll be talking

0:09:14.660,0:09:18.070
about the s1h a whole bunch more as time

0:09:17.180,0:09:24.659
goes on

0:09:18.070,0:09:24.659
[Music]