DJI RS 4 + LUMIX = 🤩 magic gimbal follow cam!
Put a LUMIX camera on a DJI RS 4 and experience Active Track through face detection – the gimbal will move, keeping you in frame!
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The features you’ve been hoping for! ATOMOS Shinobi II Update 11.02
The ATOMOS Shinobi II has its first major update, bringing touch-to-focus, still photo triggering, ARRI False Color and EL Zone, and support for Nikon and Fujifilm cameras!
Copy performance compared; SD vs CFexpress vs SSD
One of my nerdiest videos yet… I wanted to know, so I figured you might want to know, too! How much of a difference does SD vs SSD vs CFexpress card make? What about the readers? And the destination?!
RØDECaster Video Pro — Your Questions Answered!
I took the top questions from the comments on the first RODECaster Pro video and answered them in this video! Did I get them all?
New RØDECaster Video — SHOCKINGLY good!
The newest addition to the live streaming space has me all kinds of excited… this RØDECaster Video is an extremely impressive piece of hardware.
DxO PhotoLab Overview featuring new PhotoLab 8
DxO PhotoLab 8 is here! If you're tired of paying subscriptions to edit your photos, check out the all new DxO PhotoLab 8!
How to edit ProRes RAW in DaVinci Resolve
DaVinci Resolve doesn't support ProRes RAW, but that doesn't mean you can't combine the two. Learn how to convert ProRes RAW to a format for Resolve!
BIGGER is better… when it comes to your camera monitor! Atomos Shinobi II full overview
The new Atomos Shinobi II proves that bigger is better, with a beautiful touch display including camera control! Get the benefits of a Ninja in a monitor.
The FASTEST media you can put in your camera? OWC Atlas Ultra!
See just how fast the OWC Atlas Ultra CFexpress 4.0 Type B cards are, especially when partnered with the USB 4 reader and the Express 1M2 SSD 40GB/s SSD!
Shot on LUMIX GH7 in ProRes RAW, edited in… DaVinci Resolve!
This interview was shot entirely on the LUMIX GH7 in ProRes RAW (internal!) to OWC media, using an Atomos Shinobi II monitor, and edited in DaVinci Resolve.
How to: Live Event Coverage for 9:16 Social Media & 16:9 UHD Post
A complete blueprint for how to cover a live event with professional cameras, have immediate social presence, and have top quality media to edit from later.